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盛稀珍藏艺术品精品推荐 大泉五十
更新时间:2019-10-30 16:10:08    来源:郴州网

藏品名称:大泉五十

Collection name: Daquan 50

直 径:2.8cm

Diameter: 2.8cm

重 量:5.5g

Weight: 5.5G

胡书“大泉五十”钱,在《契丹文珍稀钱币考释图说》一书中有载。考释:钱文是神册五年(920)契丹大字颁行前的早期契丹文字。胡书“大泉五十”是契丹人制造的玩赏钱,不是行用钱。它以独具匠心的设计,异化变形的文字,展示了契丹人的聪颖智慧和审美情趣,以实物证明契丹民族在早期文明程度已高度发达。

Hu Shu's "Big Spring 50" money is contained in the book "Textual Research and Explanation of Precious Coins in Khitan". Textual Research: Qian Wen was the early Khitan script five years before the promulgation of the large character of Khitan in the Book of God (920). Hu Shu's "Big Spring 50" is a kind of entertainment money made by Khitan people, not a kind of money. It demonstrates the wisdom and aesthetic taste of the Khitan people with its ingenious design and dissimilated and deformed characters, and proves that the Khitan nationality has developed highly in its early civilization.

这种胡书“大泉五十”钱当时铸量不会很多,因为它是供契丹贵族阶层的玩赏钱。经过“诸弟之乱”和千年战火的摧残,遗留在人世间的此种钱也一定很罕见,作为一种展示契丹文明的艺术品,能留到今天实在难能可贵。为请泉友品味胡书“大泉五十”情趣而发此钱。

This kind of Hushu "Daquan 50" money would not have been cast much at that time, because it was for the entertainment of the Khitan aristocratic class. After the "Rebellion of Brothers" and the devastation of the Millennium war, the money left behind in the world must be very rare. As a kind of art exhibiting the Khitan civilization, it is very valuable to remain today. This money is for inviting Quanyou to enjoy Hu Shu's "Big Spring 50" interest.

“大泉五十”铸行时间虽然仅有13年是王莽新朝通行货币其字誊写工致有加,字形巨细适中,整体结构规范协调,笔划横直直立,凸显庄重端美,书相威风凛凛威风凛凛典型,本色书风神韵,莽炉出品而无需再表。其字廓纹饰皆深竣挺秀,鼓凸自然有度,钱文笔划较为纤细,清晰可辨,缘接地章浑圆具备非常高收藏价值。

Although it was only 13 years since the founding of "Daquan 50" in Wang Mang's new dynasty, it was a popular currency with exquisite transcription, moderate size, standardized and coordinated overall structure, straight and upright strokes, solemn and dignified end beauty, majestic and majestic appearance of the book, natural and elegant style of the book, which was produced by mang stove without any need of further expression. Its characters are deep, straight and beautiful, bulging and natural. The strokes of Qian Wen are thin, clear and distinguishable. The edge grounding is round and round, which has a very high collection value.



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